Plays for Americans:
"Adolf and Mrs Runyon"
June 21, 1942 (29 Minutes)
Plays for Americans [1942] and Everything for the Boys [1944] reunited Conried with the volatile Arch Oboler, whose patriotism moved him to give up more lucrative paying jobs and donate his time and talent to producing programs geared toward the nationalistic fervor surging through the county during that period of history. On Plays for Americans, Conried performed with the powerful German actor Conrad Veidt in the lurid, anti-Nazi themed drama "Hate", which was described by Variety as "a scalp raising cry against a barbarous menace." Conried would also get a chance to perform a histrionic Hitler in the episode "Adolf and Mrs. Runyon" with Bette Davis….
Radio Life magazine related a story connected with the "Adolf and Mrs. Runyon" broadcast: "Hans Conried, versatile young radio actor who played the part of Adolf (last name Schickelgruber) on Oboler's 'Adolf and Mrs. Runyon', was paged for a telephone call immediately after the show went off the air. Into a booth in the Radio City lobby went Conried oblivious to the fact Dick Ryan, a fellow actor, was in a booth directly across the hall, making with such conversation as 'If you ever play Hitler again on the radio, it will be at your own risk'. The 'gag' had a premature ending, when actor Ryan, who just couldn't act out his self-styled role of heckler, leaned against the door of his telephone booth, which was half ajar, and landed flat on his chuckle-creased face in the hall outside the booth Conried was using."
Actress Mercedes McCambridge recounted a story about one particular rehearsal, which involved Conried and director Oboler, many years later to host John Moore during an interview for his radio show based in Atlanta, Georgia. According to Moore: "Arch Oboler was in charge, and the cast included Hans Conried. [Mercedes] told me that Hans had obviously put a lot of work into the characterization he was doing… She said it was as if he had decided to create the characterization to end all others for that type of part. It was completely over-the-top… Whatever he was doing, it was too much, didn't fit the show, [and] didn't mesh with the other characters; it just didn't work. From the booth came the voice of Arch Oboler saying, 'Mr. Conried, I think it would be better if you would tone it down a bit'… He did, but it was still way too much. Again came the voice over the talkback, "Mr. Conried, I'd appreciate it if you could tone things down some more for us.' The performance was still not making it, so again came the voice from the booth, "Mr. Conried, it's just not working. Just forget all the characterization and give us the REAL Hans Conried"… At that, [Hans] drew himself to his full height, nose in the air, and declaimed, 'My good man, there is no REAL Hans Conried!'"
-- Abridged excerpt from: Hans Conried: A Biography; With a Filmography and a Listing of Radio, Television, Stage and Voice Work, (2002: McFarland & Co., Inc: ISBN 0786413387); Part I; Chapter 3, Page 38 – 39.
About the Author:
The present time is one full of enjoying hearth and home and paying the bills. New projects are on the horizon, though, so stayed tuned!
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